Thursday, April 23, 2009


this Sunday evening curator Jan Van Woensel brings CCA graduate students together to present their 'last day of magic' ritual documentation at the gallery's front room--- a little ritual magic will be happening in the back gallery simultaneously as Kristine Reano installs 'bathing in the crystal light' -- come make magic with us.



Last Day of Magic

Sung-Hee Chang, Emily Hoover, Amy Keefer, Dustin Kelly, Christine Kesler, Stephanie Lagarde, Elyse Mallouk, Amy Martin, Josh Martinez, Lynne McCabe, Piero Passacantando, Brindalyn Webster

Curated by Jan Van Woensel

Orange Alley Project
Saturday April 25th, 2009, from 6 to 9PM

Orange Alley (between 25th and 26th St)
San Francisco, CA 94110
http://orangealleyproject.com/

Last Day of Magic was a one-day closed performance of rituals about departure and transformation that took place on March 28th, 2009. The rituals are designed with a personal significance and shamanic purpose. They examine the artist’s interpersonal experiences with belief, sacrifice, loss, disappearance, and memory.

At Orange Alley Project, twelve volunteers reenact the rituals and create their own last day of magic experience.

The video of Last Day of Magic will be screened at Gallery Extrana on Sunday April 26th, at 7:30PM, 2912 Telegraph Ave (between Ashby Ave and Howe St) Berkeley, CA 94705. http://galleryextrana.blogspot.com/

Last Day of Magic will participate to Markers VII at the 53rd Venice Biennale, Venice, Italy. June 5th, 2009.


Last Day of Magic is a project initiated, organized and curated by Jan Van Woensel in the framework of his 2009 cross-departmental class at California College of the Arts, San Francisco, CA. http://www.last--day--of--magic.blogspot.com Jan Van Woensel is an independent curator based in New York City and the Founder and Editor-in-Chief of New York Magazine of Contemporary Art and Theory http://www.ny-magazine.org

Wednesday, April 15, 2009

KRISTINE REANO with LULACRUZA

que contenta estoy~! super pleased to announce that LULACRUZA (lulacruza.com) will perform at KRISTINE REANO's bathing in the crystal light opening reception on MAY 1ST. If you haven't yet seen Kristine's work, you're in for a *super* treat. The reception is from 7-10pm at the gallery. We're also adding semi-'regular' hours (yes, thankyou for asking, we feel the love) --- starting in May we'll be open Weds, Thrs and Fri from 12-6pm.

Sunday, April 12, 2009







save the date! Kristine Reano's bathing in the crystal light opens on Friday May 1st. more details soon. xo gallery extraña

Wednesday, March 25, 2009

we love cat lauigan


We love Cat Lauigan's work. We heart our neighbor Oakland. We're stoked that Cat is from Oakland and hopes that means she's back visiting this coast soon!
++We recommend you spend some time here: http://catlauigan.com

William Kentridge's RETURN OF ULYSSES at Project Artaud

If the drawings, short films and theatrical installations of William Kentridge have left you un-satiated and longing for more, perhaps you'll consider attending his multi-media opera The Return of Ulysses (yes there's puppets), presented by SFMOMA at Project Artaud Theater this week. I attended the preview last night. Here's a few sneak peaks--





THE RETURN OF ULYSSES
An opera by Claudio Monteverdi
Directed by William Kentridge
Revival directed by Luc de Wit; produced by Pacific Operaworks, Seattle; musical direction by Stephen Stubbs; featuring the Handspring Puppet Company of South Africa

All shows are SOLD OUT except for tonight's benefit: Wednesday, March 25th 5:30-10 PM
visit www.sfmoma.org/kentridgeopera

Also, the exceptional and profound exhibit WILLIAM KENTRIDGE: FIVE THEMES is on display through May 31st at SFMOMA. http://www.sfmoma.org/pages/exhib_events

all photos copyright Aimee Friberg 2009

Wednesday, February 4, 2009

Rob Reger unveils Change of Strange at Varnish Gallery in SF

we're back from much romping and stomping to tell you that we're stoked about this:



PRESS RELEASE – February 2, 2008

Varnish Fine Art presents: Rob Reger: Change of Strange
February 17 – March 28, 2009
Opening Reception Friday February 20, 7-10pm

[press contact below]


Change of Strange emerges from Emily the Strange creator Rob Reger

San Francisco, CA, February 2, 2009. This dynamic and interactive solo painting exhibition of interlocking characters and whimsical design opens at Varnish Fine Art on February 20 from 7 – 10 pm. The opening party will feature a wee bit of ‘Vampa White’ spectacle with a secret special guest directing the 360 degree rotation of the paintings. On the heels of opening an Emily store in Greece and completing the first novel for his character Emily the Strange, this is Reger’s first solo painting show without Emily in five years. Change of Strange demonstrates a change of heart. The show will run through March 27, 2009.

In this new body of work, Reger strays from Emily’s palette of red, white and black with bright, uninhibited colors. His trademark bold yet whimsical design is repurposed to reveal a world of new friends and beasts. Subtle narratives emerge, playfully tapping into mysticism, optical illusions, and hallucinations of the heart. Coming from the love of word play, hidden messages, and backward masking, Reger utilizes a yin yang approach with this work. He demonstrates a balance of many opposing forces, in order to show us that for every evil there is good around the corner.

With a tip of the hat to MC Escher and his interlocking beasts and a nod to Dr. Seuss, parallels are also drawn with the vibrant geometric shapes and bold folk art colors of Alexander Girard’s design. There is truly no such thing as upside-down in Change of Strange --- incorporating a patent-pending device designed for this show, the artwork is viewable 2-ways without removal from the wall. In this rotation new characters emerge, continuing the narrative and psychedelic fantasy.


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ROB REGER
Rob Reger is the founder, owner, creative director and president of Cosmic Debris - a design house based in the San Francisco Bay Area. Rob and Cosmic introduced the world to Emily the Strange, now the international icon for empowering young alternative girls. Rob has been designing Emily for over a decade and has generated millions of fans of the character. Emily’s voice and image can be found in at least 26 countries, through the outlets of Chronicle books, a series of Dark Horse comics, a limited edition of Jones Soda, an Epiphone guitar, a line of Manic Panic hair products, an upcoming Harper Collins novel, and an upcoming Emily the Strange film from the producer of the Hell Boy series, 30 Days of Night, and The Mask.

Reger and Cosmic Debris grew out of the DIY punk and guerrilla art aesthetic of the eighties, and a fondness for the surrealist art movement. He continues to mix sophisticatedly simple graphic design with a pop culture surrealist sensibility. Reger has an extensive fine arts background, with a B.F.A from the University of California at Santa Cruz and a M.F.A in printmaking from the San Francisco Art Institute. His oil paintings, printmaking, watercolors, and collage have been shown in galleries around the world: Tokyo, Paris, Los Angeles, San Francisco, Berlin, Milan, Hong Kong, Sydney, and Santa Cruz.

Outside of Emily and painting, Reger plays music with bands Beno + Minnie and This Isn’t It and co-directs Gallery Extraña, which exhibits contemporary eccentric artwork, located in the Emily the Strange headquarters in Berkeley, California.


VARNISH
Gallery Directors Jennifer Rogers and Kerri Stephens opened Varnish Fine Art on April 19, 2003. Beginning with the remains of a brewery built just after the 1906 earthquake, Rogers and Stephens designed and rebuilt the space, including a main gallery, mezzanine gallery and wine bar, combining gallery with community.

VARNISH Fine Art Press Contact:
Jennifer Rogers
415-222-6131
q@varnishfineart.com
77 Natoma Street, San Francisco, CA 94105

Tuesday, January 13, 2009

It's nearly a month now since I embarked on my first journey to Habana, Cuba, and so of late, I've been reflecting on the art of film appreciation in post-revolutionary lands ... and wondering how the world of film and art is doing abroad during this economic slumpy slump.

In Havana, I presented my short film MATHEMATICS FOR PLANTS at the International Festival for Latin American Film (read, aka: the Habana Film Festival) which was in it's 30th year. 30 years, hmm---not bad i thought. But just how steeped in film can a 3rd world country be, you ask? I was tickled to encounter a general public audience, more versed in visual language than many western, well at least American, grad students... it was interesting to attend a festival in a culture where film is abolutely regarded as art, filmmaking and artmaking are exaulted above the sciences and medicine, and the tradition of film-making is serious and deeply part of the cultural identity. Apparently it was not unusual or out of place for all the screenings to be at capacity and for the 13 year-old couple in front of me to making out to the flicker of the latest Carlos Sorin film. (Cuba's has a devoted audience to South American films.) I loved every minute it.

So, here's some lofi images from the festival:


The Lobby at Cinecitta
a fraction of the line at La Rampa Cinema

of course, Benicio del Toro was present for the Cuban premier of Soderbergh's Che

http://www.habanafilmfestival.com/