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Thursday, October 20, 2011
Tuesday, October 4, 2011

Below, Rob describes his process of the three states of materiality that his collaged forms take in this show:
“Select areas of imagery are first dissected, then carefully brought back to life one connection at a time through the surgical practice known as collage. This life, as these frankensteined “originals,” is similar to childhood- finite in time that it exists, given the nature of the materials used. That childlike existence is then captured and brought into adulthood when I create a second life as these “characters” are re-imagined and printed and painted on wood. Finally, if their Creator is inspired enough by their previous existences, they make it into the spirit-world through film and animation. It is here they are finally allowed to move and have everlasting life. I am interested in taking these collages to a “larger than life” place by physically reproducing them on a large scale, and animating and projecting them. In the past, similar collage works have only been shown in small frames with a magnifying glass. Now the work will be accessible from anywhere in the room.”
-Rob Reger, artist
Sunday, July 31, 2011
collage with Matt Gonzalez, view works by Schwitters

On Sunday, Aug 14 the Berkeley Art Museum is hosting a collage making session with SF artist and progessive politician Matt Gonzalez. The collage session is in conjunction with their Kurt Schwitters exhibition which opens August 3. Various members of the San Francisco Collage Collective (including Gallery Extrana co-founder Rob Reger & myself) will join Matt and the public in a collage making session inside the lovely BAM galleries-- it's been a while since we've had an official SF Collage Collective public gathering -- I'm excited to see what materials everyone brings to work with : ) Come find us at 2pm in Gallery B! Also on display at the Berkeley Museum is our friend Desiree Holman's AMAZING show Heterotopias which investigates our fascination with real and fictional personas in fantasy play -- her avatars make me wanna dance!
XO: aimee friberg
Kurt Schwitters, Magic, Tate Collection, circa 1936-40
Thursday, July 21, 2011
greetings from comic con! we're here helping our friends Emily the Strange with a gallery next to their booth -- a little calm spot to hang and see art -- someone said we were a respite in the storm of the crowds and aggressive imagery --- we agree. : )
We are featuring Emily's creator Rob Reger's personal work and his Emily inspired fine art, along with Buzz Parker's detailed illustrations, work by cut-out artist Turo Scissorhands and Reger's collaborative prints with punk photographer Jenny Lens.
Our living room set up is much cozier thanks to our friends at Boomerang for Modern, a beautiful mid-century design store in San Diego's Little Italy. Thanks Boomerang! If you're at the con, come visit us! Booth #4637
XO
Thursday, June 2, 2011
fave photo of the week.

My favorite photograph of this week, perhaps this month is this image, Edifi by Argentine photographer, Fernando Maubecin. Fernando has been working on his Double Exposure Series for a decade now, and I've been consistently impressed and really taken aback by the luminosity, depth and resonance of the work.
I love how the gold buildings in the center seem to be a nucleus for the unfinished architectural shell that fills the frame. I can't help but think this is the soulful, light-as-god work of Andreas Gorsky's antagonist; the potential emotional side of Gorsky's twin psyche. Light. Structure. Texture. Form.
I don't know the story behind this image in particular, however, in his earlier series, I know he was interested in making a mini-narrative composite of time, space and the elements. This image, Luziwet was exposed as a full roll in Seattle of water images, then exposed again on the streets and interior public & private spaces of New York City. Can anyone recognize that light source?
Both of these 35mm images were shot on his Nikon F4 (the all metal parts, big ton of tool, single lens reflex) a camera that was introduced in 1988 and for anyone still shooting 35mm (Is Anyone Else?), it's still a totally amazing and capable camera. Obviously, Fernando is an old school, technical and yet intuitional photographer. He sees light. He plans for the composition in his mind. With this Double Exposure Series, he has two processes: one is to shoot a whole role of 35mm film often choosing to focus on texture and the materiality of light, then he re-exposes the film, frame by frame, keeping in mind the amount of light exposure that has already saturated the film in the first take. His other process, made possibly by the Nikon F4's exposure lock button, allows him to plan the image, shoot, and then re-shoot immediately. I can't tell you just how pleased I am that Fernando continues with this series. Take a look at what's come before and some of his recent work on his flickr site. And keep your fingers crossed that we'll be able to bring him from Valencia, Spain for a show.XO,
gallery extraña
Edifi, Fernando Maubecin, 2011.
Luziwet, Fernando Maubecin, 2003-4
Friday, March 18, 2011

I love this image by artist / photographer / designer Alia Penner. Her images evoke a surreal dreamland that is visually compelling and makes me want to get out my scissors and gluestick.
Time for collage night, I'm calling my friends ~
